Harrogate Gilbert & Sullivan Society
P r i n c e s s I d a 2 0 1 5
The Cast
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Soldiers, Courtiers, Girl Graduates and Daughters of the Plough
The Principals (see portraits)
Souvenir Programme
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Photos
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Publicity photos on location courtesy of Ripley Castle Estate
Dress rehearsal photos courtesy of Serenity Studios
NODA report
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Awarded second place in the NODA poster competition 2015!
King Hildebrand
Donald Stephenson
Cyril
Gordon Fawcett
Arac
David Parker
Sacharissa
Roz Ebbetts
King Gama
David Macdonald
Florian
John Carter
Guron
David Nield
Chloe
Catherine Culligan
Hilarion
Colin Belsey
Lady Blanche
Val Green
Scynthius
Peter Haken
Ada
Julie Robinson
Melissa
Jane Fawcett
Princesss Ida
Rachel Warren
Lady Psyche
Brittany Rachin
Sopranos
Wendy Belsey
Helen Johnson
Madeleine Johnson
Gwen Nuttall
Altos
Carrie Brown
Charlotte Brown
Dot Haken
Liz Kelley
Sam Westwood
Tenors
Jim Coleman
Martin Johnson
Daniel Stanford
Bass
Graham Woods
Publicity photos
Shot on location courtesy of the Ripley Castle Estate
Dress rehearsal photos
Photos courtesy of Serenity Studios
NODA report
Princess Ida, one of Gilbert and Sullivan’s less performed operas, was new to me but I am very pleased to have had the opportunity to see this first-rate show by Harrogate G&S Society. The show was lively, moving along at a good pace with plenty of humour. The singing and acting were of an extremely high standard. There were some superb solo performances, most notably from Donald Stephenson as King Hildebrand – his diction was excellent at all times, Rachel Warren as Princess Ida – her singing was absolutely beautiful and I particularly liked Valerie Greens portrayal of Lady Blanche. There were also superb supporting roles from Brittany Rachin as Lady Psyche and Jane Fawcett as Melissa. I loved the humour from the three “friends” Colin Belsey as Hilarion, Gordon Fawcett as Cyril and John Carter as Florian.
Chorus work was superb and the diction of the cast was of an extremely high standard – not easily achieved in G & S especially. For me, this made the production so much easier to follow. The costumes by Mary Glaze and Elizabeth Stagewear were spectacular and complimented the scenery, by Paul Lazell, which was very striking.
The orchestra, under the baton of Oliver Longstaff, was excellent and they played sympathetically without drowning out the cast on stage. All of the singing was beautiful and could be heard with such clarity – they had obviously been well drilled in their singing by their chorus master Nicholas Whitaker.
Congratulations must go to Alistair Donkin (Director) on this superb production, and I look forward to seeing Pirates of Penzance in 2016!'
Sally Holmes
22 May 2015